I usually get the image almost to where I want it but keep it just a little on the flat side so I can then fine tune the tonality with Curves and/or Levels in Photoshop.
Friday, February 2, 2018
Switching to black & white
On a recent trip to Delray Beach in Florida to photograph the sunrise, the sky and colors were disappointing so I decided to switch over to photographing it in black and white. I was using the Nikon D850. Like the Fuji, it does have a black and white mode, but I prefer to do my black and white processing mostly in Adobe Camera Raw where I can convert the image to monochrome and can actually control the monochrome darkness of each individual color in the original scene by using the sliders in the HSL/monochrome tool. Additionally, there are several different ways of fine tuning the rations of contrast and detail by using curves, clarity, dehaze, the contrast slider itself, and then fine tuning highlights and shadows with their sliders. The variations available in ACR are endless.
I usually get the image almost to where I want it but keep it just a little on the flat side so I can then fine tune the tonality with Curves and/or Levels in Photoshop.
I usually get the image almost to where I want it but keep it just a little on the flat side so I can then fine tune the tonality with Curves and/or Levels in Photoshop.
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